This poem is inspired by some of the characters of my childhood, in addition to Fire Season by James Galvin and ‘One of the Good Ones’ by A. M. Pressman.
I went to school with children of privilege,
synonymous with the English upper-middle class
and the first time I went to their houses
I stared up at the mounted heads,
bold as brass looking down upon me.
Stags’ heads, boars’ heads,
hollowed out skulls
like the Egyptian from the days
of Tutankhamen, Cleopatra and Nefertiti.
They are the only brown things in the room,
showing me how to be “one of the good ones” –
open-mouthed mounted mammals,
hollow shells shelled with bullets.
I laugh at the homeowners’ jokes
and I can hear the oxymoron in my chest.
I stay silent as they endorse fox hunting.
I stay silent as they insult immigrants.
I stay silent as they recite colonial-era poetry.
I stay silent,
as they tell me how they freed
poor African children last summer,
as if they will try to decolonise me too.
I know they voted Tory, as their ancestors did before them.
How long will it be before I become a head on the wall?
How long until my bones sit in the British Museum?
I wonder if I they already view me as one of their trophies.
I grimace every time they talk about their friends’ servants,
people who come from places like South America and Africa.
They go on to talk about Terry and his manservant.
I wince every time they brag about their friends who boast
about the bleeding brown bodies that keep his household upright.
But sometimes at night, I catch
these people staring into the eyes on the wall,
dark orbs of stone you know?
They know what they did;
they can still feel the blood splatter,
like the indelibly etched ink of tattoos.
They tell them they’re sorry,
promising that they’re
“some of the good ones.”
In the days after Brexit;
I thought about them, the Head Collecters.
The days after Brexit; it was open season.
It was hunting season on British streets.
Bits of bunting flapping in the breeze
like bodies over Mississippi and Georgia,
looked like treason was making a comeback,
more comebacks than Nigel Farage
as history starts to repeats itself.
In my smothering dreams,
I walk into my year-nine class…
there’s a hat on my seat with a promise:
Hunting Means Hunting,
to Make the Woods Great Again,
to put the Great
back in Great Britain.
And it feels like someone
has drawn an X on my chest
with ninety lashes. It’s the same hat
that the children of my youth wear now.
They ask me to meet them halfway,
to reach across the shop aisle,
bypassing sugarcane and soy sauce,
nutmeg and chocolate; tea and coffee;
rice and tobacco; indigo and cotton!
They ask if I care
to walk over corpses
that look like me.
They ask me
to forget the countries
that their ancestors
put on their backs.
They ask me to forget
in order to compromise.
I walk through Northampton
to the sound of history’s cries.
I see my not-so-childhood friends,
they know what their parents did.
They feel guilty; they still feel
my brittle bones in their hands,
skull and crossbones raised at half-mast.
“The blacker the berry the sweeter the juice”
But the Head Collectors said:
“The darker the meat the longer the noose.”
They hold my head in their hands and say
“You’re one of the good ones, but it’s hunting season.”